10th annual iCreate Music ASCAP Expo – [Early Bird Pricing]

Registration for the 10th annual ASCAP “I Create Music” EXPO, being held April 30th to May 2nd, 2015 at the Loews Hollywood Hotel in Los Angeles, is open. For the entire month of November, Early Bird pricing offers a low price and access to special opportunities like the One-on-One Sessions before anyone else.

Register Now

Like last year, video access to all 60 hours of EXPO panels will be included for FREE with all registrations. Grab the link, save some money and secure your spot at the EXPO.
Since 2006, the ASCAP EXPO has brought together some of the biggest names in music. Keynote Sessions have featured Katy Perry; Diplo & Big Sean; Ne-Yo & Stargate; Justin Timberlake & Bill Withers; Jon Bon Jovi & Richie Sambora; Tom Petty; John Mayer; Quincy Jones interviewed by Ludacris; Jimmy Jam and Terry Lewis; Dr. Luke; Carly Simon; The Smeezingtons (Bruno Mars, Philip Lawrence and Ari Levine); Lindsey Buckingham interviewed by Sara Bareilles; Randy Newman; Jackson Browne; Steve Miller; Ann & Nancy Wilson (Heart); and Jeff Lynne. Writer-composer Master Sessionsperformancespanels and the signature “We Create Music” panels have included an impressive list of music creators, such as Pharrell Williams, Peter Frampton, Natasha Bedingfield, Marcus Miller, Desmond Child, Rodney Crowell, Dr. Luke, Jermaine Dupri, James Newton Howard, Fergie, Akon, Steve Lillywhite, Paul Williams, Wyclef Jean, John Rich, Stephen Schwartz, Nico Muhly, Jill Scott, Ricky Skaggs, James Levine, Jimmy Webb, Mike Posner, Jared Leto, Rufus Wainwright, John Rzeznik, Ryan Tedder, Seth MacFarlane, Jason Mraz, Don Was, Judy Collins and Chaka Khan, to name a few.
The ASCAP EXPO is the premier conference for songwriters, composers and producers in all genres of music. It will feature creative and business-focused panels, workshops, master classes, keynotes, one-on-one sessions, song critiquing, networking events, product displays, state-of-the-art technology demonstrations, performances and more.
All music creators, publishers and executives will benefit from this unique creative event, which is designed around personal interaction, education and networking. The ASCAP EXPO is open to anyone, not just ASCAP members.
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The business of #songwriting: co-writes and split sheets

Screen shot 2014 11 12 at 10.11.44 AM 1 The business of songwriting: co writes and split sheetsAs a songwriter, it’s easy to get wrapped up in the creativity and excitement of writing and forget about the business side of things.
A lot of times, the very subject of business, royalty splits and copyright can change the atmosphere of the room and dry up whatever creative juices were flowing.
However, it’s important to remember that it’s your copyrights that will get you a publishing deal, a licensing contract, and ultimately, an income in the future. If you don’t legally and properly claim your work, you could be missing out on thousands of dollars worth of opportunities.
Of course, this becomes a little more complicated if you work with other writers or producers to compose songs. Co-writing is pretty common these days among songwriters and the collaboration culture is growing rapidly in today’s music industry. It’s a great way to explore new styles, find inspiration, and discover melodies and grooves you never knew you had in you. However, it also means that all co-writers have a stake in the song and it’s up to you to determine just what percentage each writer owns. These splits will determine the royalties you receive in the future.

The Split Sheet

In the US, in the absence of a written agreement each co-writer automatically owns an equal share in a song. To get around this, you’ll need to create a split sheet putting each songwriter’s ownership down on paper. A split sheet is a short document that details which writer owns what percentage of a song. While it is a legal document, you probably don’t need to hire a lawyer, especially during the early stages of your career; instead, you could download this free template. You’ll need to create a split sheet for every song you write with someone else.

When to Create a Split Sheet

It’s best to create a split sheet up front, right after you’ve completed a song. You want to make it extremely clear who owns what before any income or royalties start flowing in. Often, having real money on the table can complicate things. Not to mention, the writing process will be fresh in your mind and it will be easier to determine the percentages.
If you’ve skipped split sheets on previously co-written songs, you definitely want to make sure you write one up before you enter into negotiations for any kind of license or deal. Publishing companies don’t want to get dragged into a copyright ownership dispute and may not let you sign a contract unless you have it figured out. On top of that, if ownership is not clear, PROs, publishers, or record companies may hold back any royalties your songs are generating to avoid liability.

How to Determine the Splits

There are a few ways to approach this, and it will vary depending on your particular situation. If you’re intent on avoiding confrontation, you could go the easy route and give each contributor equal ownership. For example, if you had two co-writers, it would be split 50/50 between the two of you for the writer’s portion.
Another option is to give each writer a percentage equal to their contribution. This is where things can get a little tricky. If you simply measure by the length of each contribution, the person who wrote the hook may only get 10% or 15%. However, most people consider the hook the most important part of a song and believe it deserves a much larger percentage. With that in mind, you need to evaluate each contribution by its length and value to the overall song. If you’re working with a producer, the genre will largely determine their ownership. For the most part, hip-hop and urban producers will get a higher percentage than other genres with jazz and classical producers receiving little to no ownership.

How to Write a Split Sheet

You can certainly write up your own split sheet. As long as all the information is there, it’s a perfectly legal document. Create a template in Word with labeled fields and space to fill in the song name, the contributing writers, their PRO and publishing company, their role in the song creation (producer, writer, etc.), address and contact information, the percentage of the song each writer owns, and a signature for each writer. Or download our free template. Once you have this template, you can simply make copies to fill out every time you collaborate on a new song.
Sit down with your co-writers and fill it out together. Once finished, make sure each writer has signed the sheet and are given a copy of the final split sheet.
If you’d like to learn even more great strategies, check out this free video lesson series. You’ll meet some of our students who are seeing real results and success and go through their winning strategies.
Of course, if you want to be a successful songwriter, you’ll need to go above and beyond split sheets and learn how to promote and license your music. In the New Artist Model online music business courses you’ll learn how to turn your music into a successful business. You’ll create an actionable and personalized plan that will help you achieve a career in music, and you’ll be able to do it all with the resources you have available right now.
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Author bio: Dave Kusek is a digital cowboy, consultant, teacher, entrepreneur, musician, marketer, co-author of Future of Music, founder of Berklee Online, and the driving force behind New Artist Model.

YouTube Music Service Could Cost Artists, Labels $2.3 Billion Per Year In Lost Income





YouTube Music[UPDATED] A new report from Mark Mulligan and media industry analysts MIDiA looks at the massive impact YouTube along with its yet to launch Music Key service will have on the music industry.  YouTube delivers a massive audience of 210 million active music fans, according to the study. But it fails to deliver the commensurate revenue, and that is likely to get much, much worse.
YouTube’s Free Tier Will ‘Suck The Oxygen’ From Spotify, Competitors

MIDIA
YouTube Music key “should prove to be among the most compelling music product offerings in the marketplace, yet YouTube’s net impact on the subscriptions’ sector will still be net negative with its free tier sucking the oxygen from its premium competitors,” says Mulligan.
MIDiA asked 1000 UK YouTube users if they’d pay for an ad free music subscription service from YouTube, and just 7% sent yes. In fact, 25% said they’d never every pay for any music subscription service because the already get all the music they need on YouTube for free.
$2.3 Billion In Net Loss To Artists and Labels Per Year
The report extrapolates that YouTube Music Key will generate $400 million in revenues in its first year. But over the long run it will also be responsible for more than $2.6 billion in lost subscription revenue yearly. That’s a negative net impact of $2.3 billion in lost music revenue every year, according to the study.